With the Iraq invasion’s tenth anniversary just days away, one of its darkest legacies is how the perpetrators escaped accountability and how the innocent and the truth-tellers suffered punishment, including Pfc. Bradley Manning who acknowledges trying to expose war crimes, writes Marjorie Cohn.
In the 1980s, the U.S. and its Saudi allies teamed up to funnel money and weapons to Afghan Islamists whose bloody “victory” set the stage for the Taliban and al-Qaeda. Now, the same team is heading back to work supporting Sunni rebels in Syria, as the Independent Institute’s Ivan Eland explains.
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Exclusive: The neocons and their Republican allies bloodied former Sen. Chuck Hagel with ugly smears, but he won Senate approval to become Defense Secretary. The neocons’ failure to exercise this “veto” now stands as a sign of their diminished standing with the Obama administration, writes Robert Parry.
Despite the Iraq debacle, neocons remain in the driver’s seat setting official U.S. attitudes toward Iran, mixing worst-case assumptions with unrelenting hostility. But national security experts Flynt and Hillary Mann Leverett have stood up to this neocon-driven conventional wisdom, says Gareth Porter at Inter Press Service.
Exclusive: The Oscar for Best Picture went to Ben Affleck’s Argo, an escape-thriller set in post-revolutionary Iran. It hyped the drama and edged into propaganda. But Americans would have learned a lot more if Affleck had chosen the CIA coup in 1953 or the Republican chicanery in 1980, says Robert Parry.
When the U.S. invaded Iraq in 2003, the U.S. news media suppressed many images of dead and wounded Iraqis so as not undermine the feel-good patriotism, and a similar bias has held true for Palestinian victims of Israeli attacks. But that favoritism seems finally to be breaking down, says Lawrence Davidson.
Exclusive: As the tenth anniversary of the Iraq War approaches, it’s worth recalling one moment when the curtain was prematurely lifted on the lies justifying the invasion – and how quickly government officials and the complicit mainstream press pulled it back down, as ex-CIA analyst Ray McGovern explains.
From the Archive: Director Kathryn Bigelow won an Oscar for “The Hurt Locker” and is in the running again with “Zero Dark Thirty,” but both movies have a troubling undercurrent of racism, heroic Americans operating in a world of apathetic or crazy Muslims, wrote Robert Parry.
From the Archive: “Zero Dark Thirty,” the big-screen chronicling of the manhunt for Osama bin Laden, won critical acclaim for its taut storytelling, but the Oscar-nominated film ignored the complex history between the CIA and its terrorist target, wrote Jim DiEugenio.