
Craig Murray recalls a time when Britain had decolonized almost entirely in a remarkably swift quarter century and the Last Night at the Proms seemed harmless.
After examining his record, New York Times readers should be skeptical of anything David Sanger writes, including his latest artful works of deception.
Symbols are important, writes Jonathan Cook. They are the illustrations to the stories we are fed about who we are and what we hold dear.
John Wight analyzes the now-shaken British national identity.
A new film depicting the whistleblower Katherine Gun, who tried to stop the Iraq invasion, is largely accurate, but the story is not over, says Sam Husseini.
Boris Johnson ushers in the most right-wing British government since 1832, writes Craig Murray.
The next UK prime minister inherits a divided nation, a reduced standing in the world and one of the worst periods in British-Russian relations, writes Johanna Ross.
So much of mainstream journalism has descended to the level of a cult-like formula of bias, hearsay and omission. Subjectivism is all; slogans and outrage are proof enough. What matters is “perception,” says John Pilger.