The U.S. news networks are building up the suspense for the first presidential debate between Hillary Clinton and Donald Trump, but odds are it will be another hyped-up TV disgrace, say Bill Moyers and Michael Winship.
Retired Army JAG Major Todd Pierce explains how his perspective on U.S. foreign policy and politics has changed as he watched the nation’s slide into “perpetual war,” in Part Two of an interview with Philip Weiss of Mondoweiss.
Exclusive: Oliver Stone’s “Snowden” takes you inside the vast electronic expanse of U.S. intelligence gathering via the personal story of Edward Snowden’s decision to expose these secrets to the world, writes Lisa Pease.
“Everything that we have done since 9/11 is wrong,” says retired Army JAG Major Todd Pierce, whose personal journey to that conclusion helps explain why so many ex-military people are growing disillusioned with U.S. foreign policy.
A group of U.S. intelligence veterans chastises the mainstream U.S. media for virtually ignoring a British newspaper’s account of the gripping inside story on how the CIA tried to block the U.S. Senate’s torture investigation.
The damage done to U.S. foreign policy in the wake of the 9/11 attacks was largely self-inflicted, a case of wildly overreacting to Al Qaeda’s bloody provocation, writes ex-CIA analyst Paul R. Pillar.
Special Report: The New Cold War and its fellow-traveler, the New McCarthyism, are arriving on the hawkish wings of The New York Times and other mainstream U.S. media outlets, writes Robert Parry.
When it comes to applying rules of international law and ethics, the U.S. government and its mainstream media operate with stunning hypocrisy, what might be called “moral idiocy,” says Lawrence Davidson.
As the New Cold War heats up, the U.S. government is sliding back into old Cold War practices, like blocking entry of people critical of U.S. policies, a fate befalling ex-British ambassador Craig Murray, as Peter Van Buren explains.
San Francisco 49ers quarterback Colin Kaepernick refuses to stand for the national anthem in protest against U.S. oppression of “black people and people of color,” a concern underscored by the origins of “The Star-Spangled Banner,” writes Sam Husseini.