From the Archive: In 2009, when Scotland released Libyan Ali al-Megrahi after his prostate cancer was deemed terminal, U.S. and UK polls and pundits thundered against freeing the “Lockerbie bomber,” an outrage reprised this week after his death. But Megrahi’s odd conviction was not questioned, as Lisa Pease noted.
Some special stories in March demonstrated our unique brand of investigative journalism, bringing historical context to current events. Stories included White House secrets on the sabotage of Vietnam peace talks, realization that Campaign 2012 may turn on old myths about Iran, the legal battle over health-care reform and more.
Exclusive: “The Hunger Games” – based on a trilogy of best-selling novels about an apocalyptic future – set box-office records for a non-sequel film on an opening weekend, but Lisa Pease also found the film’s story compelling enough to leave her hungry for more.
Exclusive: An unprecedented protest is sweeping the Internet against proposed U.S. legislation that critics contend goes too far in punishing Web sites where copyrighted content might get posted. Wikipedia and other major Internet sites have blacked out pages as a warning of what the laws might cause, Lisa Pease reports.
As you know, Consortiumnews.com relies almost exclusively on the support of our readers. So, as 2011 ends, we wanted to express our thanks and present a selection of the important articles from the past year that your donations helped make possible.
Some of our special stories in November explored the meaning of the Occupy Wall Street protests, examined the new case for heightened tensions with Iran, explained some lost history of Richard Nixon and J. Edgar Hoover, and more.
Some of our special stories in October dealt with the spread of Occupy Wall Street protests across America; the ending of the U.S. military occupation of Iraq; the pounding of new war drums regarding Iran; Republican confusion; and more.
A film about someone as controversial – and mysterious – as FBI Director J. Edgar Hoover forces the filmmakers to make judgments about key historical events, including some still cloaked in secrecy. But the movie J. Edgar ducks those tough choices in Hoover’s career, writes Lisa Pease.
Many Americans are accustomed to the top one percent on the economic pyramid getting the bulk of the benefits from society’s work and investments, as if that’s the natural order of things. But a new movie “In Time” presents a similar dilemma in a parallel reality, writes Lisa Pease.
Wall Street has created a “moral” universe that elevates short-term profits into the ultimate “good,” rewarding those who can achieve them with massive bonuses. The movie Margin Call follows these players when their universe collapses, writes Lisa Pease.