Exclusive: Director Kathryn Bigelow – in both Zero Dark Thirty and The Hurt Locker – presents stories of heroic Americans operating in a world of either apathetic or crazy Muslims, with little explanation of the whys behind the conflicts. This lack of context makes her films vacuous and depressing, writes Robert Parry.
Oscar buzz is humming about two movies recounting real-life chapters of U.S. policy in the Middle East – the get-bin-Laden film “Zero Dark Thirty” and the escape-Iran drama “Argo.” But neither provides an in-depth examination of the reality behind the events, writes Winslow Myers.
Despite evidence over the centuries that torture fails to elicit reliable information – and is criminal as well – apologists for George W. Bush and movies like Zero Dark Thirty continue to perpetuate the myth that torture is a necessary evil, at least when Americans are doing the torturing, as Lawrence Davidson writes.
Movie-goers across America can now see the hunt-for-bin-Laden film, “Zero Dark Thirty,” and its graphic portrayal of torture as a key element in that search. But the filmmakers distort the facts and ignore the reality that torture is illegal, immoral and dangerously ineffective, writes Marjorie Cohn.
Exclusive: Zero Dark Thirty, the big-screen chronicling of the manhunt for Osama bin Laden, has been hailed by some critics for its taut storytelling, but it fails to confront the larger questions about 9/11, including the complex history between the CIA and its target, writes Jim DiEugenio.