Anyone in journalism who wants to regain that trust would do well to read American Dispatches and internalize the lessons that Robert Parry offers, writes Nat Parry.
The Instinctive Distrust of Big Media
Tag: Pentagon Papers
Afghanistan: Latest US War Driven by Deceit & Delusion
The U.S. capacity for official lying has struck once again, as it has repeatedly for the last 60 years, writes Gordon Adams.
The Espionage Act & Julian Assange — 5: The Pentagon Papers
Pentagon Papers Failed to Stop Media Kowtowing
The revelations of the secret study should have spawned permanent, radical skepticism concerning the candor and competence of U.S. foreign interventions, writes James Bovard.
Revealing the Pentagon Papers in Congress — 4: A Pyrrhic Victory
In part four of this eight-part series, the implications of the Supreme Court decision in NYT v. the US leave Sen. Mike Gravel in more legal peril as he contemplates publishing the Papers outside of Congress.
Revealing the Pentagon Papers in Congress — 1: Top Secret
After publication of the Pentagon Papers was shut down, Dan Ellsberg leaked the top secret history to Sen. Mike Gravel. This is how Gravel got the Papers, what he did with them and what happened next. Part One.
WATCH: CN Live! Daily Video Report on Assange Hearing–Day 9
Editor-in-Chief Joe Lauria presents a live 10-20 minute report every day that court is in session at noon EDT during the resumed extradition hearing. Watch his recap of the ninth day’s events.
25 YEARS OF CN: ‘Journalists Are All Julian Assange’—Robert Parry, December 16, 2010
This is the second story in the Best of Consortium News series as we look back at our first 25 years throughout our jubilee year.
Media Serve the Governors, Not the Governed
Since 2006 WikiLeaks has been censuring governments with governments’ own words. It has been doing the job the U.S. constitution intended the press to do, says Joe Lauria.
‘The Post’ and the Pentagon Papers
The new movie “The Post” tells the story of the Pentagon Papers from a curious perspective that ignores much of the drama of the real history, as James DiEugenio explains.