Seymour Hersh, a great journalist with superb sources and the courage to challenge conventional wisdom, has presented a counter-narrative of the 2011 raid that killed Osama bin Laden, but Hersh’s story – compelling in many respects, even to the New York Times – has some elements that stretch credulity, says John Gardner.
Exclusive: Saudi Arabia, working mostly through Israel’s Prime Minister Netanyahu, is trying to enlist the U.S. on the Sunni side of a regional war against Iran and the Shiites. But that alliance is complicated by Saudi princes who support al-Qaeda and other Sunni terrorists, as Daniel Lazare explains.
President Obama famously counseled his foreign policy team “don’t do stupid stuff,” but he is now violating his own principle by plunging into an incoherent war policy in Iraq and Syria rather than challenging the stupid “group think” of Official Washington, as Flynt and Hillary Mann Leverett explain.
Frustrated over negotiations for a stay-behind force of U.S. troops in Afghanistan, President Obama is now weighing the possibility of a faster withdrawal and a “zero option” on troops going forward. That may signal the belated recognition of twin American defeats in the Afghan and Iraq wars, says Beverly Bandler.
Exclusive: At the heart of the new George W. Bush Presidential Library – and the Bush Family’s frantic efforts to rehabilitate its image – is a novel approach toward putting visitors on the spot by putting them in Bush’s shoes as he faced tough choices, a challenge that Robert Parry agrees to take on.
From the Archive: Director Kathryn Bigelow won an Oscar for “The Hurt Locker” and is in the running again with “Zero Dark Thirty,” but both movies have a troubling undercurrent of racism, heroic Americans operating in a world of apathetic or crazy Muslims, wrote Robert Parry.
From the Archive: “Zero Dark Thirty,” the big-screen chronicling of the manhunt for Osama bin Laden, won critical acclaim for its taut storytelling, but the Oscar-nominated film ignored the complex history between the CIA and its terrorist target, wrote Jim DiEugenio.
From the Archive: The hunt-for-bin-Laden film, “Zero Dark Thirty,” portrays torture as a key element in that search. But the filmmakers distorted the facts and ignored the reality that torture is illegal, immoral and dangerously ineffective, wrote Marjorie Cohn.
From the Archive: Two Oscar favorites – “Argo” and “Zero Dark Thirty” – purport to tell real-life stories about America’s troubles in the Middle East, one an escape-from-Iran thriller and the other a get-bin-Laden film. But neither confronts some hard realities, wrote Winslow Myers.
Exclusive: Director Kathryn Bigelow – in both Zero Dark Thirty and The Hurt Locker – presents stories of heroic Americans operating in a world of either apathetic or crazy Muslims, with little explanation of the whys behind the conflicts. This lack of context makes her films vacuous and depressing, writes Robert Parry.