Fifty years after the murderous coup in Chile, the U.K.’s most important political artist, Peter Kennard, recounts how the Barbican censored his work to placate high-ranking Chilean finance officials and British bankers.
Category: Arts
John Pilger: On CN’s Rare ‘Dynamism’ & ‘High Standards’
Oppenheimer, Berkeley & the Bomb
PATRICK LAWRENCE: Bad Faith & Blank Checks
On the Lincoln Memorial Steps 60 Years Ago Today
DIANA JOHNSTONE: A Voice Heard in the Land
Collapse 2.0
WATCH: What Is a Hicks-Style Plea Bargain for Assange?
WATCH: The Australian Case Against AUKUS
Presented by Alison Broinowski for the 2023 IPAN ‘Peacewave’ conference. With former Foreign Minister Bob Carr, Senator David Shoebridge, Senator Jordan Steele-John, Mary Kostakidis, Colonel Lawrence Wilkerson, David Bradbury, Kellie Tranter, Brian Toohey, Michelle Fahy, Vince Scappatura, Michael West, Dr…