From the Archive: The saying goes: “truth is the first casualty of war.” But it’s also true that war-time truth-tellers often end up as “collateral damage.” A new book, Inappropriate Conduct, tells the story of a World War II correspondent whose career was crushed by the intrigue he uncovered, as Don North reported in 2010.
With the Iraq invasion’s tenth anniversary just days away, one of its darkest legacies is how the perpetrators escaped accountability and how the innocent and the truth-tellers suffered punishment, including Pfc. Bradley Manning who acknowledges trying to expose war crimes, writes Marjorie Cohn.
In the 1980s, the U.S. and its Saudi allies teamed up to funnel money and weapons to Afghan Islamists whose bloody “victory” set the stage for the Taliban and al-Qaeda. Now, the same team is heading back to work supporting Sunni rebels in Syria, as the Independent Institute’s Ivan Eland explains.
Exclusive: Behind today’s fight over government spending is a bigger struggle for U.S. democracy’s future, pitting the traditional white-ruled country against a new multicultural nation, or the Right’s Real America against Other America. To win, Real America must make Other America fail, says Robert Parry.
The neocons have lost ground within the Executive Branch, but continue to wield great influence in Congress and Washington opinion circles. That sway is revealed in the framing of debates on President George W. Bush’s power to torture and President Obama’s use of lethal drones, notes ex-FBI agent Coleen Rowley.
Exclusive: The Oscar for Best Picture went to Ben Affleck’s Argo, an escape-thriller set in post-revolutionary Iran. It hyped the drama and edged into propaganda. But Americans would have learned a lot more if Affleck had chosen the CIA coup in 1953 or the Republican chicanery in 1980, says Robert Parry.
Exclusive: As the tenth anniversary of the Iraq War approaches, it’s worth recalling one moment when the curtain was prematurely lifted on the lies justifying the invasion – and how quickly government officials and the complicit mainstream press pulled it back down, as ex-CIA analyst Ray McGovern explains.
From the Archive: “Zero Dark Thirty,” the big-screen chronicling of the manhunt for Osama bin Laden, won critical acclaim for its taut storytelling, but the Oscar-nominated film ignored the complex history between the CIA and its terrorist target, wrote Jim DiEugenio.
From the Archive: The hunt-for-bin-Laden film, “Zero Dark Thirty,” portrays torture as a key element in that search. But the filmmakers distorted the facts and ignored the reality that torture is illegal, immoral and dangerously ineffective, wrote Marjorie Cohn.
From the Archive: An Oscar frontrunner for best picture is “Argo,” depicting a little-known chapter of the U.S-Iran hostage standoff in 1979-81. Yet, while focusing on this story of six hostages escaping, “Argo” missed bigger dramas, before and after, as David Swanson explained.