It’s one thing to decry all terrorism and defend the principle of free expression; it’s another to show disproportionate concern for some victims over others and to embrace offensive or irresponsible media content, troubling issues from the Charlie Hebdo case, says ex-CIA analyst Paul R. Pillar.
Exclusive: Behind a physical (and perhaps metaphorical) screen, the U.S. government is putting on its case to pin ten felony charges on ex-CIA officer Jeffrey Sterling for allegedly leaking secrets to a U.S. journalist about a risky and convoluted covert op against Iran, as ex-CIA analyst Ray McGovern reports.
The Western reaction to last week’s terror attacks in Paris has been rife with double standards as U.S. and European politicians and pundits reinvent themselves as purists on freedom of the press and compound the hypocrisy by ignoring the longstanding slaughter in the Middle East, John V. Walsh observes.
Amid Western government’s sudden enthusiasm for free speech, no matter how offensive, there is the angry police reaction in New York City to protests against some police officers killing an unarmed black man – by blaming the protesters for a deranged man’s shooting of two policemen, as Michael Winship describes.
Though President Obama promised “transparency” and “openness,” he has slipped so far from those goals that some wonder how many sides of his mouth he can speak through. He has surely not broken from the longstanding pattern of presidential deceits that have eroded the Republic, as Jason Hirthler writes.
The failure to hold anyone accountable for torture derives from extraordinary post-9/11 legal theories that made the President all-powerful during “wartime” and established what amounted to martial law in the United States, a condition that continues to this day, writes retired JAG Major Todd E. Pierce.
Exclusive: At a moment when voting and other civil rights are under attack in America, a new movie “Selma” recounts the struggle, led by Martin Luther King Jr., to secure the African-American right to vote. But the film falls short in both telling key facts and conveying the drama, says James DiEugenio.