Ex-CIA analyst Ray McGovern has been crisscrossing the United States, with an occasional detour to Europe, speaking to groups concerned about U.S. foreign policy, but he took time to send in this letter urging readers to help Consortiumnews meet its spring fundraising goal.
Exclusive: One year after the Cold War ended, Russia tried to cooperate with a U.S. national security investigation into possible treason by senior American officials only to see the information ignored. Two decades later, Russians feel their warning about a Boston Marathon bomber was ignored again, Robert Parry reports.
Exclusive: America’s political dysfunction stems, in large part, from the Right’s success in distorting U.S. history and the mainstream news media’s failure to counter those false narratives. That has left the nation adrift in a faux reality, a crisis described by Robert Parry’s new book and analyzed by Jim DiEugenio.
Exclusive: As the U.S. observes the tenth anniversary of the Iraq invasion, a key question remains: Why was there almost no accountability for journalists and pundits who went along with George W. Bush’s deceptions. The answer can be found in the cover-ups of the Reagan-Bush-41 era, writes Robert Parry.
Special Report: Today’s Republican Party doesn’t believe in democracy, at least not when an election is decided by the votes of blacks, Hispanics, Asian-Americans and young urban whites comfortable with multiculturalism. Then, the outcome is deemed illegitimate and deserves obstruction, as Robert Parry explains.
Special Report: New evidence continues to accumulate showing how Official Washington got key elements of the Watergate and Iran-Contra scandals wrong, especially how these two crimes of state originated in treacherous actions to secure the powers of the presidency, writes Robert Parry.
Exclusive: Iran’s ex-President Bani-Sadr, in criticizing inaccurate history in “Argo,” says most Iranian officials wanted a quick end to the 1980 U.S.-Iranian hostage crisis, but Ronald Reagan’s presidential campaign struck a deal with Ayatollah Khomeini to delay the hostages’ release, reports Robert Parry.
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Exclusive: The Oscar for Best Picture went to Ben Affleck’s Argo, an escape-thriller set in post-revolutionary Iran. It hyped the drama and edged into propaganda. But Americans would have learned a lot more if Affleck had chosen the CIA coup in 1953 or the Republican chicanery in 1980, says Robert Parry.
From the Archive: An Oscar frontrunner for best picture is “Argo,” depicting a little-known chapter of the U.S-Iran hostage standoff in 1979-81. Yet, while focusing on this story of six hostages escaping, “Argo” missed bigger dramas, before and after, as David Swanson explained.