From Editor Robert Parry: In the near 18-year history of Consortiumnews, we have relied mostly on small donations from readers and an occasional grant from a few family foundations. But it’s important that we finally secure funding support from a big donor or two if we are to reach a larger audience.
Exclusive: The neocons and their Republican allies bloodied former Sen. Chuck Hagel with ugly smears, but he won Senate approval to become Defense Secretary. The neocons’ failure to exercise this “veto” now stands as a sign of their diminished standing with the Obama administration, writes Robert Parry.
Despite the Iraq debacle, neocons remain in the driver’s seat setting official U.S. attitudes toward Iran, mixing worst-case assumptions with unrelenting hostility. But national security experts Flynt and Hillary Mann Leverett have stood up to this neocon-driven conventional wisdom, says Gareth Porter at Inter Press Service.
Exclusive: The Oscar for Best Picture went to Ben Affleck’s Argo, an escape-thriller set in post-revolutionary Iran. It hyped the drama and edged into propaganda. But Americans would have learned a lot more if Affleck had chosen the CIA coup in 1953 or the Republican chicanery in 1980, says Robert Parry.
When the U.S. invaded Iraq in 2003, the U.S. news media suppressed many images of dead and wounded Iraqis so as not undermine the feel-good patriotism, and a similar bias has held true for Palestinian victims of Israeli attacks. But that favoritism seems finally to be breaking down, says Lawrence Davidson.
Exclusive: As the tenth anniversary of the Iraq War approaches, it’s worth recalling one moment when the curtain was prematurely lifted on the lies justifying the invasion – and how quickly government officials and the complicit mainstream press pulled it back down, as ex-CIA analyst Ray McGovern explains.
From the Archive: Director Kathryn Bigelow won an Oscar for “The Hurt Locker” and is in the running again with “Zero Dark Thirty,” but both movies have a troubling undercurrent of racism, heroic Americans operating in a world of apathetic or crazy Muslims, wrote Robert Parry.
From the Archive: “Zero Dark Thirty,” the big-screen chronicling of the manhunt for Osama bin Laden, won critical acclaim for its taut storytelling, but the Oscar-nominated film ignored the complex history between the CIA and its terrorist target, wrote Jim DiEugenio.
From the Archive: The hunt-for-bin-Laden film, “Zero Dark Thirty,” portrays torture as a key element in that search. But the filmmakers distorted the facts and ignored the reality that torture is illegal, immoral and dangerously ineffective, wrote Marjorie Cohn.
From the Archive: Two Oscar favorites – “Argo” and “Zero Dark Thirty” – purport to tell real-life stories about America’s troubles in the Middle East, one an escape-from-Iran thriller and the other a get-bin-Laden film. But neither confronts some hard realities, wrote Winslow Myers.